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How To Quit Smoking Process Essay Essays and Research Papers. English effictive writing process essay k.Harshavardhan reddy 383834 How to quite smoking The . smoking problem has become quite prevalent in our society. Several governments have had problems dealing with a huge health care burden due to mercantilist diseases and conditions brought about by smoking . At the same time, individuals suffer several addictive and health issues due to smoking . While this information may be apparent to pestal analysis most of the smokers, studies have found that quitting a smoking habit is quite a challenge. Addiction , Cancer , Lung cancer 1116 Words | 4 Pages. ?Amit Parmar English 2010 MW 3pm- 4:15pm 02/12/14 Ready to Quit Smoking ? Tobacco is the most preventable cause of define mercantilist, death in the . United States.

An estimated 443,000 people prematurely die from pestal analysis, smoking cigarettes. It also causes serious illnesses, such as Coronary heart disease, lung cancer, and oral cancer. 46.6 million Americans continue to smoke despite their knowledge of these risks (CDC). How hard is it to define quit smoking ? Nicotine is in fact one of the most addicting substances in society. Some. Addiction , Nicotine , Nicotine gum 1032 Words | 5 Pages. University Professor Emily Gorman-Fancy April 06,2011 Quit Smoking Today | The Dangers of Smoking Cigarettes . | Katie Coomes | Quit smoking today!

I tell myself that every day and every day it gets harder. Are you a smoker? Do you know someone who does smoke? If so maybe this is writing a profile essay, what you need to define mercantilist read on reducing your chances of essay, Heart Disease, Emphysema and Cancer the moment you quit smoking . Define Mercantilist. No matter your gender or age smoking is the leading cause of death for men and women across the. Cancer , Cigarette , Lung cancer 1457 Words | 4 Pages. Malachowski How to Quit Smoking * Introduction According to poe the birth of the the National Cancer Institute, “Cigarette . smoking causes an estimated 443,000 deaths each year, including approximately 49,400 deaths due to exposure to secondhand smoke.” I am sure everyone in here knows someone who smokes or you yourself may smoke. This speech will give you the knowledge you need to know to help you or your loved ones stop smoking . I myself have been a smoker for the past three years.

I recently quit on the 23rd. Lung cancer , Nicotine , Nicotine gum 872 Words | 3 Pages. Speech on Dangers of Smoking and How to Quit It. about the ‘Dangers of Smoking and define How to quit it’. Let me begin by asking a few questions. What is . Pestal Analysis. smoking ? What are cigarette? I bet all of you know the answer but in case you don’t know, smoking happens when a person smokes and to smoke a person will need a cigarette. Here’s another question.

Are you young? Are you old? Do you smoke? I don’t care whether you are young or old. Define. As long as you are a smoker, slowly but surely killing himself, take my speech as a warning. Smoking has become a serious. Cancer , Cigarette , Lung cancer 950 Words | 3 Pages. for my essay is the effects of smoking . 2. How have you explained the cause-and-effect relationship? I have . Writing A Profile. explained the effects of smoking on saying why people start and how to quit . 3. Have I organized my causes and/or effects logically? I have organized it well and believe that it flows smoothly. 4. Have I concluded my essay effectively?

I have concluded my essay well by finishing strong and define mercantilist restating the Essay thesis. Define. Identify one change you have made as a result of proofreading your essay ? I changed. Addiction , Adolescence , Causality 758 Words | 5 Pages. WHY QUIT SMOKING ? Abstract Smoking cigarette creates major health, finance, and self-esteem . problems. It is categorical imperative, a major cause and death and illness to a human body organ. Quit smoking cigarette can stop or lower the risk of many human illnesses and conditions. Why Quit Smoking Cigarettes Cigarette smoking burns up your money (Rawlinson, 2013). Just imagine setting a fire and mercantilist burning $2,000 every year. It harms every organ in your body.

Quitting. Cigar , Cigarette , Lung cancer 838 Words | 3 Pages. Essay About : SMOKING Lifestyles are ways to the concept cost live your life, which is mercantilist, also related to any kind of your daily habits that . The Concept Of Opportunity Cost. you do. The way you live your life is mercantilist, related to your health, including mental health and Essay on Narrative Communication social life. It’s important to know that habits are divided into define mercantilist two main types: good habits and bad habits, and one of the most famous bad habits which is you’re used to see people doing it is SMOKING . Smoking is a very common habit of a lot of people around you, and their lives depend. 1381 Words | 3 Pages. Quit Smoking ! SURGEON GENERALS WARNING: Smoking Causes Lung Cancer, Heart Disease, Emphysema, And May . Complicate Pregnancy.

Cigarette smoking has been proven to the concept of opportunity cost be hazardous to your health. It wasn#8217;t until 1964 that the define mercantilist actual truth came out about cigarette use. From the years 1952-1956 Kent brand cigarettes was allowed to Essay on Narrative Communication use a filter containing asbestos. Cigarette ads were allowed on television up until the year 1971, and it wasn#8217;t until 1979 that it was discovered that women. Cancer , Cigarette , Lung cancer 975 Words | 3 Pages. STUDY TITLE- Quit Smoking ABSTRACT H (Pseudonym) is a 32 years old male nurse working on mercantilist . The Concept Of Opportunity. a children’s ward as a temporary bank nurse at define mercantilist, the local hospital. He heard of me through a member of our local community whereupon he phoned me towards the end of April 2012, with a long history of smoking up to 40 cigarettes daily, wishing for help to Quit Smoking due to the total ban on Smoking introduced at the hospital and other issues relating to smoking . Cost. I could not. Addiction , Cigarette , Consciousness 2201 Words | 7 Pages.

October 2013 Anti- Smoking Nowadays smoking is mercantilist, everywhere, and spreading rather fast. Especially teenagers under that age of poe the birth, . Define. eighteen. It’s rather sad that more and more teen’s everyday smokes their first cigarette, or became accustomed to smoking daily. But beside the number of smoker’s increasing daily, so has anti- smoking advertisements. You now see them everywhere, and they have become more gruesome over the past years to really show you what it does to categorical imperative your body. For my essay I decided to write.

Cigarette , Lung cancer , Nicotine 948 Words | 3 Pages. Smoking has always been a topic on everyone's lips, is it the new age killer or is it just coincidental that most cancer and define heart disease . victims are smokers? The articles that this essay is based on refer to issues such as surgery being banned on so called 'fat' people and alcoholics and transplants useless as they don't listen to doctors anyway It seems that doctors and surgeons don't want to pestal analysis or won't operate on mercantilist patients who haven't helped themselves to begin with. They say that the non-smoker. Lung cancer , Passive smoking , Smoking 1018 Words | 4 Pages. For Men and Women Who Want to Quit Smoking. For men and writing women who want to quit smoking . Define Mercantilist. AWARENESS: THE SLOWER WAY TO QUIT SMOKING . On Narrative. . We live in a culture that values immediacy. We want it, and we want it now, whatever it is. Define Mercantilist. So it’s no wonder we have a society in which drug problems are epidemic.

Nicotine is one of those drug problems. Most of the common approaches to quitting nicotine are the quick fixes, hypnosis, nicotine replacements, and pharmaceuticals like Chantix. If they work for you then by. Addiction , Cocaine , Drug addiction 1780 Words | 5 Pages. Smoking cigarettes is becoming more and more of a problem for everyone in the world. Cigarette smoking was a little more . Essay. acceptable when the public was uninformed about the define mercantilist harmful chemicals used. Now that they have smoking warnings almost everywhere you look, it is easier to not pick up a death stick. Since the time cigarettes were first made until now, there have been many opportunities to learn the results of what cigarettes will do to you over time.

It is clear that businesses have an categorical imperative obligation. Cancer , Cigar , Cigarette 880 Words | 3 Pages. the disgusting results of smoking cigarettes. Why do people continue to smoke when the effects are so harmful? The typical response from define, . smokers to this question is that they smoke to Communication relax and mercantilist help relieve stress. Pestal Analysis. Unfortunately, the quick fix are an addictive narcotic. Smoking feeds the addiction, but it also feeds the define mercantilist body with about 40 cancer-causing chemicals as well as almost 4,000 other chemicals.[5] When a smoker comes to the conclusion that they really want to quit that is a major stepping.

Addiction , Cigarette , Nicotine 855 Words | 3 Pages. Smoking - an essay on the history and hazards of smoking. in today's society is smoking . Yet each year, cigarette smoking kills more Americans than AIDS, alcohol, car accidents, . homicides, suicides, illegal drugs and fires combined. Smoking is an pestal analysis extremely bad pastime, practiced for centuries, for an individual's health and those surrounding him/her. People start for define mercantilist many different reasons and get addicted to the nicotine in cigarettes. Smoking cause many fatal diseases, but help is available to those who seek it. Cigarette smoking is a disgusting and unhealthy. Cigarette , Lung cancer , Nicotine 1726 Words | 6 Pages.

NORMAL (ACADEMIC) HEAD START PROGRAMME DISCURSIVE WRITING 1. What are some reasons teenagers take up smoking and categorical imperative how can one . successfully kick the habit? FORMAT Question: What are some reasons teenagers take up smoking and how can one successfully kick the define habit? Planning Paragraph 1: Introduction give statistics discuss reasons teens smoke: to fit in, to imperative cope with stress discuss how one can kick the habit: reducing the number of sticks gradually, getting the help of family and define friends. Addiction , Adolescence , Cold turkey 890 Words | 4 Pages. Argumentative Essay on Cigarette Smoking. “Cigarette smoking in the Philippines should be banned because it poses a great threat to poe the birth three the health of the define family members” Argumentative . essay I. Introduction A. It has been an increasing concern about the effects of pestal analysis, smoking in the family.

B. Cigarette smoking not only affects the smoker but also the others around the smoker. II. Define. Body (Discuss the issue) A. Smoking is on Narrative Communication, mostly caused by define sociocultural factors. * They smoke to gain adult status. Of Opportunity. * They smoke to conform. Cigarette , Lung cancer , Nicotine 1802 Words | 4 Pages. The Process of Changing a Newborns Diaper a You should not take lightly the define mercantilist changing of a diaper. Essay Communication. For it to be done correctly, you need to take . the time and do the proper steps. If not done so, your baby could end up with a diaper rash and more seriously, an mercantilist infection. Cost. A clean diapered baby is a happy baby. To start, you need to define mercantilist know the weight of the newborn. With this, you will be able to find which size diapers will be appropriate. Not all newborns wear newborn diapers.

You will also need to decide. Brand , Diaper , Elimination communication 1103 Words | 3 Pages. How to quit smoking Cigarettes and writing a profile essay cigarette smoke contain over 4,000 chemicals, including 43 known to mercantilist cause . cancer. On Narrative Communication. Many of these chemicals are added in the processes of define, tobacco farming and cigarette production. Writing Essay. The tobacco burns while a cigarette is define, smoked, exposing the smoker to these deadly chemicals, tars and gases To quit smoking , the smoker must put a plan to work on it. This plan has three phases: deciding to quit , preparing to quit , and following through. Deciding to quit : each. Cigar , Cigarette , Electronic cigarette 388 Words | 2 Pages. Smoking has become a trend in Communication today’s world, even though people know how harmful it is. Smoking causes are obvious . it will ruin your health and give you series of health issues.

In America 85% teenagers first start smoking from the age of fifteen and sixteen, smoking tobacco is really addicting. Define. Smoking causes heart diseases, blood pressure, series of cancers such as, lung cancer, mouth cancer and throat cancer. Categorical Imperative. I have noticed that many people in mercantilist my relatives who smoked all their youth quit smoking. Cigarette , Lung cancer , Nicotine 979 Words | 3 Pages. The Ill Effects of Smoking Cigarettes. ? Smoking and justice system Its Health Benefits One of the most common problems today that are killing people, all over the world, is define mercantilist, smoking . . Many people start this horrible habit because of stress, personal issues and categorical imperative high blood pressure. Companies selling cigarettes, cigars have a warning on their packages, ‘Warning: Smoking is Injurious to Health’ yet no one pays attention to this. Smoking cuts of 10 years of a person’s life, yet people continue to smoke. So, why people are still smoking ? The answer is obviously.

Cigarette , Hemoglobin , Nicotine 2780 Words | 9 Pages. ?Abstract This essay , the Argumentative Essay , is about cigarette smoking . Define Mercantilist. I will explain the harmful effects it . On Narrative. has on define people’s health, whether they smoke or not. I will also talk about component of criminal justice system, how smoking can be bad for one’s financial status. I will show opposing sides of how smokers don’t find smoking bad. Cigarette Smoking Every day, over 3800 teens, eighteen and younger, smoke their first cigarette. It may be with friends that pressured them, or by themselves just to see how it is.

After. Cigarette , Cigarettes , Lung cancer 1332 Words | 5 Pages. up with their stress and define one of the main bad habit adapted by categorical imperative them is smoking . Although they know they smoking is injurious to define . On Narrative Communication. their health, they just do not willing to give up the habit. There are a few ways for the smokers to quit their smoking habit so they can live up a healthy and happy lifestyle. Firstly, the smokers must be determined not to smoke more than limited sticks per define, day as a beginning towards their quit process . Component Justice. The smokers must not buy extra cigarette for themselves so they could. American films , Cigarette , English-language films 434 Words | 2 Pages. Smoking vs. Non- Smoking Beth Neeley December 10, 2012 . Mercantilist. Composition One Susan Kling ENG111 Abstract: Persuasive essay on why the production and Essay Communication sale of cigarettes should not be banned. Includes, opposing arguments and refutes to the opposing claims.

Call to action asking non-smokers to try to better understand the issue from the smoker’s point of view and come to a compromise. Keywords: Nicotine, Addiction, Advertising. Cigarette , Electronic cigarette , Health care 1383 Words | 4 Pages. How Smoking Is Killing You Slowly. understatement. Smoking ; though relaxing in theory is a nasty, debilitating habit that causes harm to define the human body. More people die from . the use of tobacco than HIV, motor vehicle accidents, illegal drug use, alcohol use, suicide and murders combined (Campaign for Tobacco Free Kids). The tobacco industry is writing a profile essay, a $45.1 billion dollar industry. Define. “One in two lifetime smokers will die from their habit. Half of these deaths will occur in middle age”. (http://www.quit- smoking -stop.com/harmful- smoking -effects.html). Cigarette , Dipping tobacco , Drug addiction 1096 Words | 3 Pages. We all know that smoking is essay, bad for us, but have you considered how bad it is?

Here is a top 10 list of define mercantilist, negative effects of . Imperative. smoking : 1. Coughing: Smokers coughing that is. After a not predetermined time of mercantilist, being a smoker, you will begin to the concept experience smokers cough, because your body uses this as a way to try and get rid of the toxins you inhale while smoking . 2. Yellow teeth: many smokers when they realize the define state of their smile, that have gone from bright white to almost yellow stop. Asthma , Cigarette , Heart 1311 Words | 4 Pages. General has said, “ Smoking cessation represents the single most important step that smokers can take to enhance the length and pestal analysis quality of their . lives.” It’s hard to quit smoking , but it is very possible. One of the most important ways to quit smoking is to be informed on the dangers and how it can affect your life.

So why is it so hard to mercantilist quit smoking ? Mark Twain said, “Quitting smoking is easy. I’ve done it a thousand times.” Maybe you’ve tried to quit , too. Why is quitting. Chronic obstructive pulmonary disease , Cigarette , Nicotine 1000 Words | 3 Pages. What Happens When You Quit Smoking. WHAT HAPPENS WHEN YOU QUIT SMOKING ? Right now is a great time to pestal analysis quit smoking . Why?

In as little . as 20 minutes you’ll start to feel the benefits of not smoking . Curious how long nicotine stays in your body? What types of nicotine withdrawal symptoms you’ll have? Want to find out how many tobacco-free days it will take for your body to recuperate and mercantilist no longer be at risk of the dangers of smoking ? 20 MINUTES AFTER YOU QUIT The effects of quitting start to set in immediately. Less than 20. Coronary artery disease , Heart , Hypertension 968 Words | 4 Pages. How to Plan a Party Process Essay. ? Lebanese International University Najwa Joudi 71410035 English 201 Section A Process Essay Fall 2014 Tyre Campus . Parties are to commemorate special events and memorable occasions. However, what makes a party worthwhile and component justice system a happy occasion for both the host and his guests is perfect planning for such an event. Planning a surprise birthday party can be fun and exciting. The anticipation that the planner feels waiting for the reaction of the birthday person brings as much. Birthday , Event planning , Invitation system 766 Words | 4 Pages.

Jerry Thomas Professor Michaud Comp amp; Lit 101 December 13, 2010 Ban Smoking The human body is mercantilist, made up of all different . Poe The Three. organs that are essential to our living being. Taking care of these organs is vital to define maintaining our health. One of pestal analysis, our most important organs is the lungs. The lungs are used to take in oxygen from the define mercantilist air and help us make blood cells in the body. Keeping the lungs healthy is necessary to keeping your breathing and poe the blood healthy. There are many things that keep. Cigarette , Lung cancer , Nicotine 1600 Words | 4 Pages. October 13, 2010 Process Analysis Essay Nicotine is a drug found in tobacco.

It can be as addictive as heroin or cocaine. Define. . Categorical. Over time, a person becomes physically and emotionally addicted to nicotine. Define Mercantilist. There are studies that have shown that smokers must deal with both the physical and psychological dependence to quit and stay nicotine free. Quitting smoking is a step by step process that will enhance and prolong lives. Smokers often say that they want to poe the birth quit , but do not know how . Mercantilist. There is pestal analysis, no one. Addiction , Nicotine , Nicotine gum 574 Words | 2 Pages. Process essays are essays that explain to mercantilist the audience how to do something or how to . complete a task. This may involve explaining how to put items or ingredients together to make a finished product, such as in a recipe. Essay. These essays can also explain how to accomplish a goal. For example, a process essay could detail the define mercantilist steps that must be taken in categorical imperative order to graduate from mercantilist, a particular college. Regardless of the subject, all process essays must clearly explain in component of criminal justice detail how to complete or perform a.

Conclusion , Essay , Essays 1193 Words | 4 Pages. Process essay: How to Play Coneball. How To Play Cone Ball For the last 2 years I have been employed at the YMCA as an after school leader. Being an after school leader requires . to assist students with homework but, to also get them involved in P.E.P (Physical Exercise Program) time. PEP time for the most part is the students’ favorite part of the mercantilist day were they are allowed to pestal analysis run around and get physically active. We also get the opportunity to play activities/games, there is a particular game that all the define mercantilist students love to play it’s. Entertainment , Eye , Game 894 Words | 3 Pages. ?Debate on Smoking Should the Government be able to writing essay control what we do in define our own lives, or what we do to poe the our own bodies? Would you want a . communist country, Where the define government controlled what you do every single day? In my opinion if you banned smoking it would just be the start down a path that could allow other unconstitutional laws and freedoms being stricken from the American population. The main reason why the government has not ban this drug yet is because of the economy, cigarettes alone.

Cigar , Cigarette , Electronic cigarette 2417 Words | 6 Pages. Barcelona1 Leticia Barcelona Eng V02 Melinda Zimmerman How to pestal analysis quit illegal drugs Since, there is an epidemic . Define Mercantilist. disease in of opportunity cost this Country of the use of mercantilist, illegal drugs I found that putting down three simple steps to begin a recovery. Perhaps you have a family member that is going through this phase be a close friend? Perhaps is of opportunity cost, yourself that have a drug addiction. First step is to accept there is a drug problem going on. Mercantilist. Keep a journal of categorical imperative, your inner self. Define Mercantilist. Write down about your childhood. 2006 singles , Addiction , Drug 724 Words | 3 Pages.

How to the concept cost Carve a Jack-O-Lantern Everything we do in life involves some kind of process to get it accomplished. Whether it . is tying our shoes, baking a cake, or changing the oil in the car. People do things differently and have certain steps they take, in their own way, to mercantilist get it done. This essay could be written about practically anything, but it will be about poe the birth of the three, how to carve a jack-o-lantern. Define. Carving a pumpkin is actually pretty easy. With a few quick, straight cuts with a knife, triangular eyes.

Carving , Face , Halloween 924 Words | 3 Pages. Sajid Azad 01/31/13 English 102-942 Instructor: Valerie Fox Impossible is Nothing Adidas’s latest anti- smoking campaign features three . cigarette butts layed out in a white background in the style of its logo, which includes their motto “impossible is pestal analysis, nothing”. As one of the largest suppliers of athletic gear, Adidas looks to not only promote greater advantages in define mercantilist sports recreation, but also in good health. The communicator in the ad is the company Adidas, the primary audience would be smokers. Adidas , Cigarette , Lung cancer 1022 Words | 3 Pages. Cause and Effect Essay Millions of people smoke cigarettes on a daily basis.

Smoking cigarettes can be used as a stress . reliever. It contains chemicals that can essentially give someone similar effects of getting high. Many people are so addicted to of opportunity cost cigarettes that they feel as if they cannot live without them. There are also people crazy enough to choose to buy a pack of cigarettes rather than gas if it came down to their last five dollars. Although some people may choose to smoke for it’s calming. Addiction , Cancer , Cigarette 803 Words | 3 Pages. Using Chakras and Meridians to Stop Smoking ! Using Chakras and Meridians to Stop Smoking 1 Smoking has been . part of my life for eleven years.

Before beginning this project on myself to quit smoking , I consumed a pack of cigarettes a day. I figure it was time to define take action and try to stop this habit. I did research on Essay Communication chakras and meridian to try in curve the hunger of smoking . I also researched the pains that I might endure while trying to mercantilist quit , and imperative how I could prepare for the worst. It has. Acupuncture , Chakra , Lung cancer 1682 Words | 5 Pages. The Silent Killer.

What are the dangers and effects of define, smoking? How did smoking get started? The effects smoking has on teens and more are in this essay. industry is thriving, the people smoking , chewing, and using the tobacco are not. Teenagers and adults both suffer from tobacco usage, . healthwise and costwise. But teens especially are suffering the most. Each and every day 3000 teens begin smoking . Many of them would say, If I want to damage my lungs, it's my own choice.

They'd be surprised to find out that its affecting more than their lungs. Several recent studies have shown the relationship between smoking and other unhealthy behaviors. Health-threatening. Cancer , Cigarette , Lung cancer 1234 Words | 4 Pages. Ideas for Process Essays GETTING STARTED-Journal Ideas (from Moves Writers Make by James C. Raymond.) 1. Think of a . Essay On Narrative Communication. process you know better than most people in your class—like canning strawberries, using a spreadsheet, or taking inventory, or building an architectural model, or resolving conflicts, or kayaking through whitewater. Define Mercantilist. Or think of a zany process —like how to become famous by being really incompetent (ala Paris Hilton), or how to travel around the component of criminal world without paying for define it, or how to Essay Communication get. Creative writing , Essay , Essays 987 Words | 3 Pages. Quitting smoking is not easy, but it can be done. To have the define mercantilist best chance of quitting successfully, you need to know what you're up against, . what your options are, and poe the birth three where to define go for help. This document will provide you with this information. Why Is It So Hard to of criminal Quit Smoking ? Mark Twain said, Quitting smoking is easy.

I've done it a thousand times. Define Mercantilist. Maybe you've tried to quit too. Why is quitting and staying quit hard for so many people? The answer is nicotine. Nicotine Nicotine is. Lung cancer , Nicotine , Nicotine gum 9397 Words | 33 Pages. ?Jin Sung Kim Dr.

Matthews English 1104: Written English I ( Process Essay ) October 17, 2013 Airport process . I really like to travel to of criminal justice system other countries. Summer and winter vacation is the great time to mercantilist go on pestal analysis a trip. However, preparing for mercantilist going on a trip is the concept of opportunity cost, a difficult task. If you prepare trip well, your trip can be fun, and define if not, your trip can be boring. It depends on how you planned.

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Citation , Creative writing , Essay 1030 Words | 4 Pages. In this class four people had lost a loved one because of smoking . Another ten people in component this class often inhale second hand smoke. Why should . you leave a loved one die or even worse, why should you let them poison you with their sick habit? I used to smoke for eleven years, since I was eleven years old, and I never thought of the dangers caused by smoking . Finally I quit smoking four months ago. The first thing I noticed was the define mercantilist deeper breaths I could take, the cleaner smell of my clothes, my bedroom. Addiction , Cigarette , Drug addiction 1229 Words | 4 Pages. English 105 September 28, 2012 Process Essay Thesis: Making the pestal analysis lechon is define, a long process , unpredictable, but . it is worth it.

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Smoking is a practice in which a . Poe The Birth. substance, most commonly tobacco or cannabis, is burned and the smoke is tasted or inhaled. The most common method of smoking today is through cigarettes, primarily industrially manufactured but also hand-rolled from loose tobacco and rolling paper. Smoking is a leading preventable cause of death all over the world. If you are a regular smoker, you are probably. Cancer , Cigarette , Lung cancer 2063 Words | 7 Pages. ?1133 CLASS NOTES ON ESSAY STRUCTURE (WEEK OF January 20-24) OVERVIEW Argument versus Persuasion?? (aim for define mercantilist a gentle act of persuasion) . Of Criminal Justice. NEVER LOSE YOUR TEMPER! NEVER “SCREAM OR YELL” (EXCLAMATION POINTS, INSULT THE READER, ETC.) Why a “thesis” paper? (“Position paper”) Advice: once you have composed your thesis in ONE SENTENCE, print it off, tape it above your computer at eye-level, and NEVER LOSE SIGHT OF IT. Is a “5-paragraph essay ” OK? Ever?

Sure. For short assignments of approximately. Essay , Essays , Five paragraph essay 1221 Words | 5 Pages. Smoking What can smoking do to people? Generally smoking has been giving a result of define mercantilist, killing 6 million people each . year (“ Smoking Death Worldwide “ n.d.). Poe The Birth Of The. And about 6,000 dollars a year are wasted for define mercantilist a person to a profile essay smoke one pack a day for a year (“Answers” n.d.), that is why people called smoking the mercantilist slowly death. In fact, many people starting to smoke when they were teenager during parties, social situations, and some stress in writing essay their life. Teenager sometimes they do not know what they are doing. Cigarette , Heart , Lung cancer 1132 Words | 3 Pages.

Why is writing an essay so frustrating?Learning how to write an essay can be a maddening, exasperating . process , but it doesn't have to mercantilist be. If you know the steps and understand what to Essay do, writing can be easy and even fun. This site, How To Write an define mercantilist Essay : 10 Easy Steps, offers a ten-step process that teaches students how to write an essay . Links to the writing steps are found on the left, and additional writing resources are located across the top. | Learning how to write an essay doesn't have to. Clearing , Essay , Essays 1908 Words | 5 Pages. Persuasive Speech to Stop Smoking. is ---------and here to persuade you to stop smoking . Smoking is poe the of the three, not only bad for health it is define mercantilist, also as bad for Essay the people . around you. Mercantilist. Breathing other people's smoke is called passive, involuntary or secondhand smoking . The non-smoker breathes side stream smoke from the burning tip of the cigarette and component mainstream smoke that has been inhaled and then exhaled by mercantilist the smoker. Secondhand smoke is categorical, a major source of indoor air pollution. Define Mercantilist. How does this affect the passive smoker? . Asthma , Chronic obstructive pulmonary disease , Lung cancer 744 Words | 3 Pages. English teacher, Madam Jacqueliene, the chairman and our panel member. Pestal Analysis. Smoking has been a threat to society for define mercantilist a long time.

Our government has . Pestal Analysis. launched numerous campaigns to define eradicate smoking from among the poe the of the three people. Unfortunately, it’s effects are not very obvious. So, today we are going to discuss about the effects of smoking as well as the ways to define reduce smokers in our country to poe the birth three the minimum. Define Mercantilist. The first effect of cigarette smoking , and probably the three one that the non-smokers hate the most, is that. Cigarette , Effectiveness , Human 880 Words | 3 Pages. peers if they smoke too. They often use cigarette smoking to avoid the pressures of everyday living.

Eventually, they tend to define mercantilist lose their . ability to learn how to cope effectively. A Profile Essay. This report examines the harmful effects of cigarette smoking on various organ systems and elaborates the define mercantilist notion that a few years of exposure to smoking will have lasting adverse consequences. Birth. Greater awareness and mercantilist deeper knowledge of the harmful effects of cigarette smoking can discourage young people from taking up this. Blood , Chronic obstructive pulmonary disease , Cigarette 1503 Words | 5 Pages.

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cymbeline essays This essay explores Cymbeline as a meditation on mercantilist ways of reading. The play relentlessly, amazingly, and at times exasperatingly offers scenes of misreading people and of opportunity, texts often by conflating one with the other but gives us, in mercantilist its final scene, less a synthesis or even productive concatenation of interpretive practices and more a profoundly experimental deferral of interpretation itself. As a result, it proposes a radical reconsideration of literary analysis by pestal analysis celebrating an intimate engagement with the sensations of reading without recourse to strong-arming the text into theoretical obedience. Cymbeline does this by quite literally ‘staging’ strategies of reading as embodied and performed acts, locating theoretical scrutiny within interpersonal dynamics. The play thus intervenes in the discursive tradition in literary studies of “suspicious” reading, along with the work of suspicion’s discontents, personified here by Eve Kosofsky Sedgwick’s brilliant defense of “weak” reading. The last scene takes up Imogen’s call for “timely knowing” by denying the satisfaction of interpretive closure and instead celebrating close and particular reading as an ethical and specifically theatrical mode of define, interaction.

It is of opportunity cost, tempting to make far too much of Shakespeare’s Cymbeline. The play is so filled with discordant shifts of tone, geography, language, and character, and so stuffed with twists, deceptions, and revelations, that it both invites and repels attempts to constellate its multitude its persistent too-much-ness into a pattern. The attentive reader can quickly turn into an amateur conspiracy theorist who fits the play’s assemblage of ideas into define an analytical container both capacious enough to poe the of the three contain its abundance and mercantilist, specific enough to account for its many discrepancies. Often, critical work on the play flickers between acknowledgment of its messiness and eager pursuit of a model that accommodates secret reasons for apparent chaos: scholars almost ritualistically note its formlessness before moving on to an birth of the explanation of its tacit form. Mercantilist! For Arthur Kirsch, the fact that Cymbeline is “resistant to any coherent interpretation” and writing essay, has a “frankly experimental” feel results from the material circumstances of its possible production at mercantilist, Blackfriars (294, 296).

Janet Adelman notes that Cymbeline is “conspicuously without a center” before proposing that this destabilization is “related in ways not merely structural to the absence of Cymbeline himself as a compelling male figure” (200). Writing A Profile! The lack of cohesion in the text reflects the lack of paternal cohesion in the state. Ros King’s introduction to her book-length study of the play describes its motley assemblage as “part history, part myth, with elements of fairy tale, romance and murder thriller thrown in, it does not fit common conceptions of Shakespearean design” as a contrapuntal prologue to her moment of realization “how very carefully and mercantilist, cleverly the play had been constructed” (1). King elaborates that the play’s at-times difficult language reflects (or, more accurately, enacts) the essay, inchoate quality of define mercantilist, consciousness itself, since. [s]ensory experiences do not come in logical order although the brain sorts them out that way in Essay Communication order to try to make sense of them. Indeed, the play’s most powerful images are all carefully presented to take the mercantilist, audience as well as the characters through a strange, perverse immersion in sensibility in order to arrive at some rather more complex and uncomfortable truth. (30) Cymbeline offers no neat textual alchemy to component of criminal justice system transfer the vicissitudes of life into pithy and understandable platitudes or comfortable narrative rhythms. Define Mercantilist! Instead, King suggests, it submerges the audience in deliberate confusion, to keep everyone guessing. And yet its rudderlessness is the concept cost, still by careful design a brilliant move that King unpacks through her close attention.

Less attention has been paid to the reflection of the hapless and grandly theorizing scholar in the hapless and grandly theorizing characters that populate Cymbeline. It seems only appropriate, after all, to define mercantilist make too much of categorical imperative, a play that itself obsessively makes far too much out of far too little, or even of nothing at all. Characters constantly leap from one interpretive scheme to another and, in a pattern that should give us pause, each new interpretation is often incorrectly understood, founded on overzealous suspicion. Perceived plots emerge at such a blur that the construction of Cymbeline becomes stitched together almost entirely by erroneous reports and dangerous misprisions, a cavalcade of what Pisanio laments as “too ready hearing” (3.2.6). 1 Actual conspiratorial plans, like the queen’s, tend to fizzle and die, but the wildly mistaken perception of a plot one that would account for the stream of inexact and madly inconsistent signs might spark an define mercantilist entire top-to-bottom shift of identity and epistemological certainty. One way of reading Cymbeline, then, is as a text that is itself preoccupied with ways of reading and with locating how an act of reading can turn into an act of a profile essay, interpretation. Surely many other Shakespearean works similarly obsess over detecting hidden plots and mercantilist, meanings.

But Cymbeline is unmatched in its sheer density of deceptions, and stands as a particularly powerful test case to explore the birth of the three, effects, alternately perilous and beneficial, of over-reading, of imagining theoretical schemes in which the mercantilist, cacophony of experience can resolve into a seductive, though inevitably false, model of reality. And as Kirsch, Adelman, King, and others have shown in their own interpretations, the play’s acts of Essay Communication, overreading also double the scholarly acts of reading Cymbeline itself, which has clearly long both confounded and mercantilist, compelled cohesive theoretical schemes. This essay finds in the play a therapeutic caution against the habitual over-reader and obsessive theorizer. More specifically, Cymbeline’ s exaggerated uncertainties and compensatory certainties, I believe, engage with the critical tradition that lurks in the background of the disparate interpretations surveyed earlier that of ‘suspicious reading,’ a practice somehow anxious and institutionalized, tired and provocative, radical and canonical. Rather than simply reflect a healthy suspicion of pestal analysis, suspicious reading, though, the play proposes a deeply ethical dimension to define this strain of literary practice by component of criminal justice embodying its processes of reading. Texts can be read, and so can people, but Cymbeline teaches us that to define treat life as a text, one whose meanings can be excavated and played with, carries with it enormous consequence.

What makes the play particularly powerful, then, is how it quite literally stages its hermeneutic practices and of opportunity, explores the implications of embodiment to interpretive ethics usually reserved for literary study. Thus conspiratorial interpretation becomes thematized and performed as belief in actual conspiracy. But the way out of define mercantilist, conspiracy, the play proposes, is not to dismantle its illusion but instead to remain in the state of abeyance, between deception and disenchantment, that lingers in the moment of reading before its tips into an act of interpretation. If Cymbeline uses performance as a way to illuminate the perils of too-ready hearing, it also locates performance as the solution, albeit a different kind of performance, one intimate and a profile, immediate, particular and practical, content to acknowledge but not to derive meaning. When we read or observe Cymbeline , we witness, time and again, characters reading and observing each other as if they were texts, as if their psyches could be rendered scriptural. At times this analogy is made explicit, as when the scheming Iachimo sizes up Posthumus who will appear shortly on define mercantilist the scene, fresh from a profile essay banishment as a potential mark. Posthumus, he relates, has dignity to define mercantilist spare: “I have seen him in component of criminal system Britain; he was then of a crescent note, expected to prove so worthy as since he hath been allowed the name of” (1.5.1-3).

This virtue, however, obscures a trait that Iachimo, in his predatory search, finds more salient: “But I could then have look’d on him without the help of admiration, though the catalogue of his endowments had been tabled by his side and I to peruse him by items” (ll. 3-6). Putting aside the “help of admiration,” Iachimo finds a veritable book of characteristics that render Posthumus highly legible. This legibility in turn allows Iachimo to read Posthumus sensitively, detect his vulnerabilities, and, with precisely improvised tactics, set the wager concerning Imogen’s chastity. Like a list a catalogue 2 Posthumus can be read, in just the manner that Imogen cannot be, as evinced in a later scene in which Iachimo attempts a similar ruse only to be rebuffed: “If thou wert honourable,” Imogen scolds him, “Thou wouldst have told this tale for virtue, not / For such an end thou seek’st, as base, as strange. / Thou wrong a gentleman, who is as far / From thy report as thou from honour” (1.7.141). The symmetry of these scenes extends beyond the mercantilist, young lovers’ opposing levels of readability. Pestal Analysis! Posthumus’s crescent note of admiration can easily be parsed from define his catalogue of endowments, but Imogen’s dignity is inextricable from her character; Iachimo’s lack of honor, for system Imogen, allows for a mere tale of virtue to stand out in mercantilist contrast to virtue itself. Iachimo’s deception of Posthumus preys on both his readability and his haste to over-read the textual appearance of categorical, others. After Posthumus becomes convinced of Imogen’s infidelity he curses not only her particular person but her entire gender: “Some coiner with his tools / Made me a counterfeit: yet my mother seem’d / The Dian of that time: so doth my wife / The nonpareil of this” (2.4.157-60). Mercantilist! The imagery suggests that Imogen has been replaced by a replica crafted by a flawless artisan a thought that leads him to suspect his own mother as a false “Dian” of her age. The reference adopts the details of Iachimo’s own citation of Diana in his description of of opportunity cost, “the chimney-piece” of Imogen’s bedchamber as “Chaste Dian, bathing: never saw I figures / So likely to report themselves; the cutter / Was another Nature, dumb; outwent her, / Motion and breath left out” (2.81-85).

The perfectly carved Diana on the chimney could fool the viewer to think it was real just as Posthumus’s mother would appear to mercantilist be a perfect Diana herself. 3 But the Diana in both cases is perfectly, deceptively fake as is the story that contains it, though Posthumus’s suspicions do not extend to such narrative foundations. Communication! The next target of his delusional disillusionment is instead himself, as partially deceitful and thus partially womanly: “Could I find out / The woman’s part in me for there’s no motion / that tends to vice in mercantilist man, but I affirm / It is the woman’s part” (2.4.171-74). The terms of essay, his revenge are literary: he will “write against them” (2.4.183). Adelman has persuasively suggested that Posthumus adopts, in this speech, the define mercantilist, misogyny and dangerous desires of Iachimo, his supposed foil (200). But the desire that Posthumus doubles is not bluntly sexual not the on Narrative, direct rape fantasy of define, Cloten but one of mastery.

And the mastery Iachimo exhibits and Posthumus mimics takes the form of textualization, rendering woman as legible and categorical, consumable writ. In Iachimo’s own words, he is the define, “master of my speeches” (1.5.137-38). To turn a woman into a speech would thus allow for a form of absolute mastery; Iachnimo, then, does not physically rape Imogen but instead plays out what Lawrence Danson calls a “male voyeuristic fantasy” of “controlling a woman without risking the failure which consummated sexuality so often entails”; Imogen is thus “open” to of opportunity Iachimo and only by “not taking sexual possession of her can the fantasy of possession be gratified” (76). She is “open” like a text similar, in fact, to mercantilist the Ovid opened by her bedside, ominously turned to the story of three, Philomel’s rape (2.2.45). More than simply blazoning her into admiring if objectifying lyricism, Iachimo surrogates her completely, rendering Imogen to Posthumus as a collection of details that concretize into truth as Posthumus puts it, “More particulars / Must justify my knowledge” (2.4.78-79). Mercantilist! Posthumus, who, as we learn in his misogynistic tirade, writes, and cost, will later dabble in satirical verse, promises to combat this interpretation through a reappraisal of mercantilist, women and himself and to counter through the production of text. Posthumus, then, replicates in his vengeance Iachimo’s technique of mastery-through-textualization: the creation of a fantasy of complete readability and writing essay, interpretation. Before further elaborating on how Cymbeline meditates on the readability of bodies and define, behavior, an explanation of the component, more contemporary theoretical concept echoed in this readability that of mercantilist, suspicious reading and its placement in the tradition of literary studies is in order. Such a genealogy no doubt will be overly familiar, but is worth reviewing so as to weave its implications more closely with Cymbeline ’s acts of reading. The locus classicus , or perhaps patient zero, of suspicion in this genealogy is the foundational case of Daniel Paul Schreber, a German judge who suffered from severe and debilitating delusions, as examined by the concept cost Freud in his vastly influential essay “Psychoanalytic Remarks on an Autobiographically Described Case of Paranoia.” Freud closely reads Schreber’s Memoirs of a Nervous Disorder as he would the speech of an analysand. The exegesis of Schreber’s condition, then, practices a form of actual textual interpretation that wholly supplants the biological entity of the patient with the define, production of language and the concept cost, so Freud himself, as is often noted, practices a kind of literary criticism as his treatment.

By situating himself as a “reader” of define, Schreber’s condition, furthermore, Freud ironically exhibits, by categorical his own admission, the same exaggerated practice of overly “reading” the define, world that so hobbles Schreber. On Narrative! The memoir is a perfect Diana, and mercantilist, Freud’s efforts to tear down its symptomatic defenses occasion the construction of a new set of a profile essay, interpretations that uncannily double the disease he attempts to cure. Delusion, for Freud, maps the narrative of conspiracy onto the personal life of the patient to distort real-life details into an overpowering fiction. The sufferer of delusion focuses on someone close to them “in whose hands all the threads of the define mercantilist, conspiracy are brought together” and who is pestal analysis, “the same one as of no less importance for the emotional life of the patient before the onset of the illness or an easily recognized surrogate” (31-32). In Schreber’s case, according to Freud, the conspiracy centered on Dr.

Flechsig, the doctor who treated Schreber while he was institutionalized; Schreber first thought Flechsig was persecuting him and then that Flechsig was God. The primary motives for psychotic delusion are naturally, for define Freud, sexual, and in Schreber’s case, the shameful desire in imperative question is homosexuality. One manufactured conspiracy that can result from repression as Posthumus enacts in his tirade against women is jealousy; the patient creates a rich conspiratorial story to divert attention from the taboo desire. Mercantilist! Freud’s pithy summary is “It is not I who love the a profile, man indeed, it is she who loves him ”; the patient is “suspecting his wife with regard to all the mercantilist, men whom he is tempted to categorical imperative love” (54). The details of this case are well known and codified in traditions of critical theory. And no wonder: what Schreber’s delusion and treatment model are an endless set of ways for the patient critic to find meanings outside of the immediate frame of perception. The patient both is and mercantilist, produces a text, an eminently readable artifact that rewards the attentive examiner with profound ideas lurking in its subterranean depths or outside of its borders entirely, traceable only in symptomatic gaps and elisions. The conflation of the concept, ‘reading’ the subject and define, reading the text, articulated repeatedly in Cymbeline and realized fully in the Schreber case, offers a link between the science of psychoanalysis and the pursuit of textual interpretation.

The seduction to of criminal system interpret, to connect dots into a structuring pattern, haunts Schreber, but also Freud, who pathologizes same-sex desire as a way to identify and isolate a behavioral pattern. So, too, does today’s reader of Shakespeare and psychoanalytic theory feel beckoned by the possibility of unmarked understanding I might be tempted, for define mercantilist instance, to pestal analysis suggest that Iachimo and Posthumus wrestle, through their wager, with their own homoerotic longing. And yet this suggestion must be measured against how well the structure of my reading holds together, a process as delicate as the define, treatment of a traumatic patient. I can find details, perhaps speciously connected, perhaps compellingly so, in order to ascribe a certain interpretation to a literary text as if it were the dream of the psychically damaged. But I would open myself up to charges of my own delusion. That ‘theory’ obliterates the text in order to proffer its own set of conclusions is a popular, if overly broad and often unfair, charge leveled against it. Writing Essay! 4 This threat of overinterpretation and fabrication is mercantilist, characterized by Freud himself as the the concept of opportunity cost, psychotic belief in a world-leveling catastrophe on mercantilist the horizon: the pestal analysis, paranoiac patient hopes for disaster in order to rebuild the world “in such a way that he can live in it again,” although this effort must fail, as “a ‘profound internal change,’ as Schreber has it, has befallen the world”; what results in the ruins of the old world is define mercantilist, a close but tenuous relationship with the poe the birth, new, as “the individual has regained a relationship to the people and define mercantilist, things of the component of criminal system, world, often a very intensive one, even if what was once a relationship of expectant tenderness may now be one of hostility” (60). 5 The dramaturgy of Cymbeline and, more broadly, the mechanics of the Romance genre, with its tropes of lost royalty, resurrections, and geographic scattering, allow for an explicit, literalized demonstration of this effect: Posthumus swears revenge on Imogen and all women; Imogen rebuilds her life with a new identity at the hint of Posthumus’s vengeance; Belarius, before the play begins, fled under suspicion of define, treason and stole the princes; and so on. Characters repeatedly reconstruct, with theatrical facility, a new mode of interpretation in writing essay order to replace the old.

And they do so, the play repeatedly tells us, based on a fiction. Paul Ricouer, who coined the term ‘hermeneutics of suspicion,’ adapts Freud’s doubled paranoia of subject and methodology into a broader consideration of critical practice. For Ricouer, the psychoanalytic tradition relies on a mode of reading that does not seek to attain “a restoration of a meaning addressed to me in the manner of define mercantilist, a message, a proclamation,” but instead “is understood as a demystification, as a reduction of illusion” and as a result finds itself in a tense standoff between contradictory imperatives: On the one hand, purify discourse of its excrescences, liquidate the a profile essay, idols, go from drunkenness to sobriety, realize our state of poverty once and for all; on the other hand, use the most ‘nihilistic,’ destructive, iconoclastic movement so as to let speak what once, what each time, was said, when meaning appeared anew, when meaning was at its fullest. Hermeneutics seems to me to be animated by this double-motivation: willingness to mercantilist suspect, willingness to listen; vow of rigor, vow of obedience. (27) 6. This influential account describes a way of reading that thrives on a reconfiguration of the very term ‘meaning’ as something not explicit, stable, or even possible. As any instructor of of opportunity cost, a literary studies class knows when faced with the define, inevitable and understandable confusion of students pointing out politely that Shakespeare died long before Freud was born a too-simple but pedagogically helpful division exists between such ‘suspicious’ readings and ‘reparative’ readings. The latter is the more positivist impulse to gain back an objective and unchanging meaning.

The critic is caught between both; she must listen and restore and Essay Communication, also destroy and doubt. The over-readers of and in Cymbeline fall prey to this suspicious aporia: they textualize humans and humanize texts in acts that echo Freud’s textualizing of his patient and Schreber’s delusional reconstruction of an imperfect world of define mercantilist, meaning. Eve Kosofsky Sedgwick, in poe the birth a powerful critique of such criticism, finds a tacit desire for define reparative reading lodged within the suspicious critic. 7 Though clouded with apparent doubt, Sedgwick asserts, suspicion actually argues for the instantiation of what she calls ‘strong theory,’ a mode of interpretation that creates, ironically, a deadeningly broad framework. System! What results is less an exploration of define mercantilist, a text and more the construction of the concept cost, a jewel box of ideas that severs its ties to the supposed object of study and mercantilist, contains only its own infinitely scrutinizable design. Strong theory, even if masked in poe the three a sense of suspicion and anxiety, is bent on reparation and aims to construct its own holistic interpretive system that doubles the very same unified and restorable texts it purports to define mercantilist be impossible: “The powerfully ranging and of opportunity, reductive force of strong theory can make tautological thinking hard to identify even as it makes it compelling and near inevitable; the result is that both writers and readers can damagingly misrecognize whether and where real conceptual work is getting done, and precisely what that work might be” (136).

The distrustful reader becomes so suspicious that everything presented or not presented textually must be taxonomized, albeit in a taxonomy constructed with the express purpose of critiquing overly categorical forces. What Sedgwick calls for, in her thoughtful polemic, is not for suspicious reading to be somehow more successful in recovering knowledge but a study of how that knowledge came to be thought of as knowledge at all. Rather than be concerned with the truth of a claim, we should be asking “What does knowledge do the pursuit of it, the having and exposing of it, the receiving again of knowledge of mercantilist, what one already knows? How, in short, is knowledge performative, and how best does one move among its causes and effects?” (124). How is knowledge performed? Sedgwick leaves the question open-ended, but Cymbeline offers many answers. It can be performed unconsciously, as when Belarius ruminates on the isolation of the lost princes he has raised in Platonic isolation. The time has come, he believes, to tell the princes the truth; for one, Guiderius, the sign of this overdue revelation is an eagerness to perform: When on my three-foot stool I sit, and tell. The warlike feats I have done, his spirits fly out.

Into my story: say ‘Thus mine enemy fell, And thus I set my foot on’s neck,’ even then. The princely blood flows in his cheek, he sweats, Strains his young nerves, and puts himself in categorical posture. That acts my words. (3.3.89-95) The other, Arviragus, similarly “strikes life into my speech, and shows much more / His own conceiving” (ll. 97-98). The willingness of the princes to participate in define mercantilist his stories demonstrates the imminent end of their unwilling conscription in birth the false “story” of their upbringing.

This realization, in turn, leads us to mercantilist Belarius’s proclamation that the “game is birth three, up” (l. Define! 107). By seeing the princes corporealize his tales, Belarius reflects on how they similarly act out the system, tale of their identities. He reads the princes reading and embodying his own stories and reflects on the fabrication of the wider story that they take part in without knowing it. 8 Like the perfectly created false Diana that Posthumus fears has replaced his mother and like Iachimo’s persuasive lie about a different kind of conquest, his sexual encounter with Imogen, which he had promised to mercantilist be “so near the Communication, truth” as to be convincing (2.4.62, emphasis mine) the stories operate as such well-constructed artifacts that they can become substitutes for actual life. Later, in the traumatic shock of discovering what she thinks is Posthumus’s decapitated body, Imogen too will piece together particulars into a false narrative. “Thou,” she curses Pisanio, “Conspired with that irregulous devil, Cloten, / Hast here cut off my lord” (4.2.314-16). Guiderius and Arviragus vividly exemplify the ‘strong readings’ that Sedgwick cautions against: the espousal of define, paranoia while practicing a crypto-mystical affirmation of finding an absolute, if obscured, truth. Another exaggerated form of “performed knowledge” as seduction into embodied, paranoid belief occurs when Iachimo, wracked with guilt, takes to the battlefield and reports on his fears: “the heaviness and guilt within my bosom / Takes of my manhood: I have belied a lady, / The princess of this country; and the air on’t / Revengingly enfeebles me” (5.2.1-4). In his paranoia, he believes hyperbolically, certainly that even the British air has turned against him to visit signs of poe the of the, his guilt to define mercantilist his body. More subtly, Posthumus and Imogen’s deceptions spring from readings that are somehow overly reparative in their searches for a clear and absolute explanation and overly suspicious in their belief in a secret, unsaid aspect of their realities. Essay! Their conclusions are, furthermore, quite non-metaphorically conspiratorial: they believe that invisible and define, harmful forces all women, Cloten’s secret cabal have banded together to plot their undoing.

The belief in conspiracy affirms doubt but replaces the unknown with the overly known, a smoothly-run vast organization behind the scenes. Imogen and Posthumus’s shift from one belief to another, more conspiratorial, understanding results from the the concept, application of ‘theory’ as a form of mercantilist, practice, as a lived experience; conspiratorial reading, here, becomes staged, in a play so concerned with the conflation of person and text, as a lived reality. This kind of belief in a sweeping, secretive plot also resonates historically. In a defining instance of conspiratorial reading countering an actual conspiracy, King James’s near-fantastical explanation of how he uncovered the Essay on Narrative Communication, gunpowder plot presents a supernatural fluency in detecting unseen truth. 9 Demonstrating a keen balance of mercantilist, humility and divinity, James relates in his speech to Parliament one of the miraculous aspects of the cost, discovery of the subterfuge: For as I ever did hold suspicion to be the sickness of a Tyrant, so was I so far upon the other extremity, as I rather contemned all advertisements, or apprehensions of define, practices. And yet now at this time was I so far contrary to component of criminal myself, as when the Letter was shewed to me by my Secretary, wherein a general obscure advertisement was given of define mercantilist, some dangerous blow at this time, I did upon the instant interpret and apprehend some dark phrases therein, contrary to the ordinary Grammer construction of them. On Narrative Communication! (7)

The passage captures many of the paradoxes of define, suspicion that Sedgwick identifies in critical practice: James is typically not suspicious, because a surfeit of suspicion sickens rulers so the fact that he felt suspicious is writing a profile essay, itself suspicious to him. Define! 10 Furthermore, the a profile essay, letter (delivered anonymously and thought to be a tip-off from one of the Catholic conspirators) belies a sense of authenticity because of define mercantilist, its “ordinary Grammer” and this authenticity in turn means that its “dark phrases” must mean what they say, rather than merely be fictional. The account depicts the impossible, paradoxically sought-after goal of suspicious reading, the possibility that sheer distrust can yield evidence of an actual plot buried beneath the narrative of the Essay, text. Innately aware, somehow, of wrongdoing, James gives us a fantasy of suspicious reading successfully mapping itself onto define mercantilist reality. But barring a magical eye to match James’s, we can comfort ourselves in the impossibility of the venture and birth, be at play, instead, in the fruitless pursuit. Define Mercantilist! A text will never conform entirely to a theoretical approach, by definition it would be the equivalent of a conspiracy theorist discovering they were right, and only kings can do that (or, more accurately, mythologize themselves as doing that). There is no overarching conspiracy in component of criminal justice system Cymbeline to match the gunpowder plot; the closest the define, play comes to high-level treason is the queen’s attempt to poison Imogen, which fails almost immediately. There are instead attempts by characters to detect and construct a conspiracy where none exists, to be seduced by a fiction with the the concept, same ease and passion as Guiderius and Arviragus. But even the fabrication of conspiracy the mercantilist, charge of birth, it in hopes that one will be imagined characterizes the suspicious reading practices of early modern era. Mercantilist! Peter Lake identifies a complex pattern at play in the popular habit, for Communication Catholics and define, puritans alike, of leveling accusations of conspiracy at the crown. Allegations of secret cabals of cost, elite rulers that manipulate the government led, ironically enough, to the creation of a more public sphere of republican values: “throughout the define mercantilist, reign, the supposedly intimate and confidential circles within which counsel was supposed to be given and politics conducted were intermittently and yet consistently breached and broadened, by a variety of groups, each claiming to be responding to a conspiracy.” 11 And yet, in Lake’s reading, this interpenetration of the public and governmental forces was less an idealized political effort than a temporary symptom: “Once the emergency had passed, once the conspiracy had been frustrated, things could go back to ‘normal’ and the various ‘publics’ thus created and appealed to could be closed down” (107).

Rather than espouse truly communal values, then, the state adopted their guise temporarily in order to dispel charges of conspiracy. Cymbeline takes place in a similar breach of public and elite barriers, and not coincidentally also within a deeply imbricated set of contrived conspiracies. As Posthumus explains to essay Philario, as they discuss the define, strained relations between Britain and Rome, “I do believe / (Statist though I am none, nor like to be) / That this will prove a war; and you shall hear / The legion now in Gallia sooner landed / In our not-fearing Britain than have tidings / Of any penny tribute paid” (2.4.15-20). His aside is crucial here he is no ‘statist,’ no diplomat or political expert. Of Opportunity Cost! (There is, of course, obvious dramatic irony at play here given his ultimate fate.) His participation in this debate can only take place at define, a time when national and international paranoia has taken hold, when banished gentlemen can gauge the affairs of the country as a whole, as if they themselves were as privileged as a king. Posthumus shows the political ramifications of suspicious reading as applied to pestal analysis the wider text of the monarchy, excavating the tacit desires and intentions of the kingdom as if it were his patient: the exceptional conspiratorial tenor of the times condones the suspicious interpretations of the citizenry, even if especially if they are exiled and marginalized. At its close, Cymbeline dispels the illusions that allowed conspiracy to flourish while maintaining the contingently communal ethos that Lake finds can result from conspiracy’s production.

Ending in the delicate moment between the dissolution of one belief and the reinstatement of another, the play attempts to live in the breach of public and private spheres, a break where the assembled characters can coexist without the define, rigor of broadly systemized interpretation. It does so by almost perversely slowing down and magnifying the unraveling of its mysteries. The final scene of the play, with its avalanche of revelations and confessions, promotes a practice of reading far more particular and immediate than the poe the birth of the three, strong theory of paranoia, though no less politically significant. 12 Many formalist readers of this alternately lugubrious and enchanting scene have, appropriately, struggled to find structural unity in the ending; F.R. Leavis, summarizing the opinions of many critics, dismisses the ending as simplified and jejune, as the mercantilist, “reunions, resurrections, and the concept of opportunity, reconciliations of the close belong to the order of define mercantilist, imagination in which ‘they all lived happily ever after’” (176). The too-tidy resolution, with what Leavis sees as the imposition of artificial morality, presents none of the psychological depth of the tragedies or even of The Winter’s Tale. Traditionally, even more positive interpretations of the ending still account for the concept its lack of unity in asserting a transcendence that occurs outside the text entirely. Mercantilist! J.M.

Nosworthy, in the concept cost the introduction to the second Arden edition, sees the many revelations and define mercantilist, confessions as an ecstatic, metaphysical moment of paratexutal synthesis worthy of Thomas Browne: “It is not extravagant to claim that Cymbeline , in its end, acquires a significance that extends beyond any last curtain or final Exeunt . There is, quite simply, something in this play which goes ‘beyond beyond,’ and categorical imperative, that which ultimately counts for more than the traffic of the stage as the Shakespearean vision of define mercantilist, unity certainly, perhaps of the Earthly Paradise, perhaps of the Elysian Fields, perhaps, even, the of criminal, vision of the saints” (133). 13 But Harley Granville-Barker seems to mercantilist sum up the consensus when he asks rhetorically how Shakespeare can “make such a mess of a job” (462). Essay On Narrative! 14. The scene itself seems to reflect this very doubt in its own ability to facilitate closure. And yet it does so without recourse to a doubled conspiratorial delusion to replace the erasure of stability. This lack of finality, I am suggesting, is not an opportunity to ascertain a Romantic horizon of ineffable unity nor to dismiss the dramaturgy as overly jumbled. Mercantilist! If we read the play as an inquiry into the act of reading, broadly construed, I believe we can find in the resolute un-resolution a profound suggestion of interpretive ethics and an a satisfactory answer to Sedgwick’s question of on Narrative Communication, how knowledge can be performed without recourse to the strong theory that has marked the play up to that point. This mise-en-scene offers a different understanding of “performed knowledge” than the mercantilist, sweaty embodiments of Guiderius and Arviragus or the delusional fits of Posthumus and Imogen. What we have instead is of the three, a distinct lack of define, closure that results from a mode of practiced reading dependent only on pestal analysis the present moment, without universalizing claims of either suspicion or reparation.

15. The scene’s fragility finds its summation in its and define mercantilist, the play’s final speech, in which Cymbeline sounds worlds away from the bravura exhibited in the earlier refusal of a tribute to Caesar, a tense standoff where Cloten noted that “There be many Caesars ere such another Julius: Britain’s a world by itself, and we will nothing pay for wearing our own noses” (3.1.11-13). In this earlier detente, Cymbeline rebuffs Lucius, the imperative, emissary from Rome, with more tender language that hints at the subsumed paternal drama of the define mercantilist, political struggle. More broadly, Cymbeline’s words in the denouncement of Lucius capture the anxious position of pestal analysis, early modern London in relation to Rome, its valiant predecessor and rival urban center. The king relates that Caesar “knighted me; my youth I spent / Much under him; of him I gather’d honour, / Which he to seek of me again, perforce, / Behoves me keep at utterance. I am perfect / That the mercantilist, Pannonians and Dalmatians for categorical / Their liberties are now in arms: a precedent / Which not to readwould show the Britons cold: / So Caesar shall not find them” (3.1.70-77).

The logic of this argument is roughly as follows: Caesar knighted Cymbeline, but the rebellions of the Pannonians and Dalmatians serve as a proper precedent that must be “read” so as to inspire a similar spirit in Britain. Not rebelling would “show the define mercantilist, Britons cold.” Cymbeline craves a kind of essay, mingled freedom and submission, a liberty that still thrives on indebtedness to exemplarity but refutes a straightforward honor through payment. The hint of discord, of hesitation, in Cymbeline’s words unsettles Cloten’s earlier patriotic declaration. And so by the end of the mercantilist, fifth act, that hint has become proudly explicit, as Britain is not a world by itself but back precisely where it began, paying tributes anew to Rome. In his final speech, the king declares that “Although the victor, we submit to Caesar, / And to the Roman empire; promising / To pay our wonted tribute, from the which / We were dissuaded by our wicked queen, / Whom heavens in justice both on her, and hers, / Have laid most heavy hand” (5.5.461-66). Constance Jordan observes that the tribute is thus “paid not from the abject position of a conquered people but granted in conscientious observance of a contract” and as a result “paradoxically signals their freedom, not their servitude” (54). Rather than simply antagonize Rome, Britain evinces its own power by choosing to supplicate. The dissolution of Britain’s unique sovereignty is miniaturized in the scene’s repeated images that dissolve Britain’s subjects, as with Imogen, figured as a piece of “tender air” in the translation of the prophecy (5.5.447) and rendered by her father as “harmless lightning” that “throws her eye / on him: her brothers, me: her master hitting / Each object with a joy: the component of criminal, counterchange / Is severally in all” (ll.393-96). Cymbeline practices a kind of interpretation here that is closer to description than any solid kind of ‘theory’ at define mercantilist, all, and what he describes is a harmony of bodies figured as absences that hang in the present, exchanging nothing of value or even tangibility only glances.

For both the realm and its people, nothing is construed or solidified; no false Dianas seamlessly surrogate the actual figures; no synthesis is reached. The other characters reflect this lack of interpretive trade-off. After Iachimo confesses partially to his deceitful actions, Posthumus responds by actively doing nothing. His gift is to Essay Communication conspicuously not evoke vengeance. Mercantilist! Posthumus notes that “The power that I have on you, is to spare you” and leaving his erstwhile nemesis with the imperative that he “Live / And deal with others better” (5.5.419-21). And while the prophecy delivered to Posthumus after his mystical dream should represent precisely the kind of strong-theory thinking that calcifies images into symbols and actions into pestal analysis portents, it is shrugged off by Posthumus himself as “such stuff as madmen/ Tongue, and define mercantilist, brain not: either both, or nothing, / Or senseless speaking” (5.4.146-48). 16 Later, when the prophecy attempts relevance through the soothsayer’s hasty unpacking, it is far too late to affect anything and birth of the three, instead only confirms what has already happened. Define Mercantilist! The only reaction the lengthy exegesis receives is Cymbeline’s dismissive “This hath some seeming” (5.5.453).

If anything, the providential words delivered to Posthumus are an anti-prophecy, a set of deliberately ignored signs that provide slight curiosity rather than a typological blueprint. What is crucial and absurd in these repeated gestures of pausing, bestowing gifts of component justice system, nothing, ignoring divination, and denying conclusiveness is that all of the mercantilist, major surviving characters are in the same space. Strong theory, which flourished when all were scattered, becomes replaced by intimate theatre; the modes of reading on display localize themselves to immediate interpersonal relations. The Concept Of Opportunity Cost! In a play so concerned with geographical relations Imogen famously notes “the diminution of space” that would have pointed Posthumus’s disappearing ship “sharp as my needle” (1.4.18-19) we end with the return of bodies to the court and to each other. In both political and social registers, all are reading each other without a governing structure, but instead with only the accretion of individual points as disparate as the plot of the play itself. As Sedgwick notes, such particularized points of observation, in literary studies, often silently tissue themselves to create the mercantilist, very structure of strong theory: buried within a work of strong, paranoid theory is often “a wealth of categorical, tonal nuance, attitude, worldly observation, performative paradox, aggression, tenderness, wit, inventive reading, obiter dicta, and writerly panache,” which are so “local and frequent that one might want to say that a plethora of only define mercantilist, loosely related weak theories has been invited to shelter in of opportunity the hypertrophied embrace of the define mercantilist, book’s overarching strong theory” (135-36). But in this scene, as if in response to Sedgwick’s powerful diagnosis, these points stand for themselves, and while the imperative, assembled figures construct a sense of the past, they linger wholly in define the present. How can proximity matter so much when nothing actually progresses, when no gifts are given, vengeances extracted, or political independence gained? The answer arrives, in part, from a surprising admission by Granville-Barker, who in his largely scathing account of the play asserts that a key element for the scene to “work” is Essay, that the actors listen . In discussing the final scene, Granville-Barker notes that for it to be effective, one rule must be observed in its acting; it is a fundamental rule in all acting, strangely liable to neglect.

Each actor must resolutely sustain his part through his long intervals of listening….We, who are not surprised, find our interest in watching for each turn to come, and mercantilist, the producer must see that each figure in the group has its point of a profile, vantage” (490). 17. The instructions for the actor are the same for the character: abandon action and embrace listening. The final scene gathers all the furtive readers whose misreadings and delusions have asserted a powerful and mercantilist, destructive mode of suspicion, the of opportunity cost, kind that rebuilds an imperfect world after the self-willed catastrophe. Define! Once together, they become resolutely de-textualized. Thus rendered, all practice an writing a profile interpersonal behavior that hearkens back to Imogen’s proleptic words in the face of Iachimo’s repeated attempts to seduce her into too-powerful suspicion: “Since doubting things go ill often hurts more / Than to be sure they do for certainties / Either are past remedies; or timely knowing, / The remedy then born discover to me / What both you spur and stop” (1.7.95-99). This kind of knowing is timely and not absolute, localized and mercantilist, not global, limited and not extensive. It refuses the textualizing warpath that results from the paranoia of Schreber and his diagnosticians. Her belief is categorical imperative, that all ills need not be immediately furrowed out, but rather allowed to emerge through experience. Another way of define mercantilist, saying this is Stanley Cavell’s often-quoted and productively mystifying injunction to “let the object or the work of your interest teach you how to consider it” (10).

But the writing essay, work of interest here is another person, and the consequences are social and political as well as academic. And by definition, the action of allowing becomes active, embodied, and fleshed-out when staged a reminder of its more invisible nature when read and written. And now for define my turn at the confessional merry-go-round: my impetus for this essay was in fact a desire to “just” read my own love of this play without recourse to defensiveness or desperate application of theory, or without listening to the siren song of discovery to match the impossible revelation of King James as he immediately ascertains the truth. How does one write about loving a text? The act could descend into treacly solipsism or banal generalization. But what I found as I read and on Narrative, re-read the play was a reflection of my own desire to define let go of any large scaffolding of academic professional interest.

The mise-en-abyme that results from this reflection can contain an obsessive self-doubt of wondering if the rejection of theory can itself be theory. It can, the birth of the, play asserts, only if it is realized as theatrical or only with the mercantilist, reminder that reading is writing a profile, already theatrical. Perhaps this kind of thinking, of grappling with love, is define mercantilist, still a strong theory; perhaps Cymbeline shows us that structure is a dogged partner to reading regardless, and that attempts to think through that act of reading always come up short. But coming up short is again what the play anticipates in Essay Communication its bookend of close listening and define, tender stillness and, historically, readerly disappointment. What is gained in this kind of particularized and intimate engagement is a secured sense of active acknowledgment, but what is lost is a different kind of birth, security, one that would provide a less human but more interconnected map of connections, a theory that when executed can explain unknowns by wiping out the perceived world and replacing it with the define, smoothly-running, machinic power of a literary reading, a template for poe the birth three all readings. The last scene still proffers a conspiratorial mode of reading that distrusts an define mercantilist absolute narrative, but it also avoids a recapitulation into its own form of paranoid absolutism to fill the void. The scene revels in intimacy, which in turn alludes to a truly close mode of reading; as Rita Felski writes, A skillful reading is, in this sense, also a close reading, requiring an intimate familiarity with its object. Indeed, the words that are being dissected may be the words that once seduced and entranced the component justice, same reader. This reader must inhabit the text, come to define mercantilist know it thoroughly, explore its every nook and cranny, in order to draw out its hidden secrets.

Suspicion, in other words, may not be so very far removed from love. (231) Felski’s language is tactile and Communication, sensual, and indeed the form of define, close attention manifested in poe the birth of the three Cymbeline ’s end suggests an inescapable embodiment in the act of reading. Define! The form of love that results from closely attending to this play is the of opportunity, same as the form of define, trust put into the non-future secured by all assembled at the concept cost, the close, one without foundations of mercantilist, conviction. The reader, like Cymbeline and his crowded ensemble, embraces the poe the birth of the three, closeness of define, experiential intimacy that both results from and motivates sustained observation, all while avoiding the more clinical sense of closeness that paves the way to analytical speculation. As Russ McDonald elaborates, the pestal analysis, enjoyment of the define mercantilist, final scene stems from a persistent unsteadiness wherein its “managed complexity generates a feeling of pleasurable uncertainty” (40).

Ann Thompson reminds us that “there is in a sense no such thing as ‘ Cymbeline ,’ but a multitude of different Cymbeline s available to audiences and readers” (217). This is a valuable observation, arrived at after rehearsing a long genealogy of the many versions of Cymbeline that have been rewritten and re-embodied over the centuries. But if we take a lesson from the component justice system, timely knowing on display in the last scene, with its fragile construction of a story, it is define, that there are many Cymbeline s not only because directors and actors can alter its words and inflections but because there are infinite moments in which to pestal analysis encounter it immediately in the present. Critics are always aware that viewing a play is a singular instance; less so is the act of reading thought of as temporalized and immediate. And yet this is how the define mercantilist, play asks to be read: as an experience one particular time , with no promise of component of criminal system, prophecy or new order. What would such a practice of non-theoretical reading look like? It would foreground the conditions of interaction with the text, rather than violently fit the text into a precisely-rendered model of our own thought.

It would risk narcissism and irrelevance for the sake of reporting an intimate and lingering dialogue, an intermingling of subject and define mercantilist, text with the the concept of opportunity cost, same democratic exceptionality that, Lake tells us, conspiracy briefly affords. Define! But this moment would be extended nearly infinitely. The power of Cymbeline, after all, lies in its audacity to slow down the on Narrative, process of revelation and knowledge precisely when we would expect it to speed up, to defer answering questions as Cymbeline says, “But nor the time nor place / Will serve our long inter’gatories” (5.5.393-93) when we would expect a future to be secured. The king concludes the play with the proclamation to mercantilist “Publish we this peace / To all our subjects” (ll. 479-480). The Concept! But I cannot fully imagine what this peace would look like would it be a book? An announcement? (The definition of the mercantilist, verb is poe the birth, ambiguous.) 18 How could the peace of the ending be replicated so as to mercantilist report it? It could, I believe, be a reenactment of the very scene before us, which is to Essay on Narrative Communication say another interaction with the play, which will surely always follow.

We are left in the threshold of experience and codification, told that an explanation will be forthcoming but at define mercantilist, the same time, the lesson seems to be that we should be wary of the future taking any form of definite explanation. Of that outcome, the play tells us, we should be suspicious. This essay has benefited enormously from the feedback of Upstart ’s reviewers. Of Criminal Justice System! An earlier version received fruitful responses at the “Error in Early Modern Studies, Part One” seminar, chaired by Adam Zucker, at the 2015 meeting of the Shakespeare Association of America. 1 All in-text citations are from the mercantilist, Arden edition, from which I also derive my spelling of Essay, character names. 2 The OED defines a contemporary definition of “catalogue” as “a list, register, or complete enumeration.” 3 Of course, the immediate reference is to the story of define, Diana and Actaeon, another troubling Ovidian citation found in the concept of opportunity Imogen’s chambers. For a profoundly thought through psychoanalytic and feminist reading of this myth, see Vickers, who describes the masculinist impulse, personified by Petrarch, to blazon the woman’s body as a lyrical gesture to compensate for the threat of physical evisceration that the Diana myth presents. 4 The most famous battle in the “theory wars“ is the case of Alan Sokal, who successfully published an essay in Social Text that he believed to be nonsense.

Sokal’s charge against what he calls “postmodernism“ is absolute; for more discursively productive, if equally polemical, discussions about the mercantilist, value of theory, see Against Theory , a powerful collection of responses to the titular essay by Walter Benn Michaels and Stephen Knapp. 5 If Freud gives us the template for paranoia with the Schreber case, it seems clear why psychoanalysis has had a kinship with cinema, both as a theme think of the rise of the 'paranoid thriller' in the 1970s and as a reflection on its medium, which mimics bodily presence while retaining the textual character of media. 6 Though an pestal analysis elaboration of this observation is outside the concerns of this essay, it is worth noting that Ricouer is more concerned with the tension between suspicion and reparation than the tradition of “suspicious reading“ would lead one to define mercantilist believe; this tension becomes lost in many of the more poststructuralist critics for whom reparation is off the table completely as too suspicious to begin with think of Derrida’s “arche-teleology“ or the utter hopelessness of the liberal state in Foucault’s Discipline and Punish . 7 The two paradigmatic texts she uses as emblematic of cost, these strains are D.A. Miller’s The Novel and mercantilist, the Police and Judith Butler’s Gender Trouble. 8 We have, in birth of the Belarius’s retelling, an antitheatricalist’s nightmare: storytelling has become so life-like that an audience member could believe it were true. Such a Platonic reading only heightens the symbolism of their imprisonment in an actual cave. The tone of the scene seems to place it somewhere between the period’s timid theatrical optimism and outright puritanical horror; see Heywood and mercantilist, Stubbes, respectively. For an influential account of early modern antitheatricalism, see Barish. 9 We are certainly in a conspiratorial moment at present, in the wake of Edward Snowden’s revelations of the NSA’s wiretapping and Essay on Narrative Communication, Wikileaks before it.

Yet as opposed to define the conspiratorial modes of encountering literature, which thrive on the sparseness of explicit mentions and furrow out ideas outside of the consciousness of a text, today’s conspiratorial mode seems prompted by cost the sheer, oppressive amount of data that could yield a pattern or hide a shocking nugget of information. The elision has been replaced by the terabyte. 10 The parallels I am drawing out here, between James’s purported ability to read the truth and Cymbeline ’s numerous acts of failed readings, fall into a rich tradition of finding commentary in the play on the accession of the Stuart line. See, for define mercantilist instance, King 47-91. 11 For a recent powerful meditation on republicanism and Shakespearean drama, see Kuzner, esp. 10-38. 12 It is worth distinguishing this kind of ending from other Shakespearean romances, which certainly espouse senses of fragility not found in the earnest and justice system, powerful rebuildings that populate tragic work, but do not so vibrantly flaunt their lack of closure as Cymbeline . Even the offstage resolution promised by Leontes in The Winter’s Tale is, at least, promised.

13 The specific passage that comes to mind is the rapturous ending of Urne-Buriall: To live indeed is to again be our selves, which being not only an hope but an evidence in noble beleevers, ‘Tis all one to lye in St Innocents Church-yard, as in the Sands of define, Aegypt: Ready to be any thing, in the extasie of being ever, and as content with six foot as the Moles of Adrianus ” (139). 14 As I finished work on this essay, an of criminal system improbable film version of Cymbeline, directed by Michael Almereyda, was released in theatres, and define mercantilist, a new critical puzzlement with the play was duly reinvigorated. To take just one example, Stephanie Zacharek labels the play “one even avowed lovers of the Bard are least likely to defend.” When Almereyda is praised, it is for poe the directing against the text, for finding a performative alibi for the formal crimes of the define, work. 15 This kind of poe the of the, performed knowledge is define, distinct from but related to the mode advocated by many performance studies scholars; see Phelan, Roach, and Taylor, who make bracing and powerful claims but all believe in poe the birth of the the power of performance in define mercantilist some capacity to contain and construct knowledge in opposition to textuality, rather than demonstrate the very mechanism by which universalizing claims of knowledge can be made at all. For a persuasive critique of pestal analysis, how performance studies practice ends up affirming its own kind of formalism after all, see Worthen 35-93. 16 The inscribed and material prophecy left for Posthumus stands in stark contrast to the fragile text of the final scene’s revelations, occurring as they do communally and constructed through the define mercantilist, ephemeral act of shared oration. Sarah Beckwith observes that in the final scene, “Gudierius’s words, ‘Let me end the story,’ are testimony to the fact that their individual confessions are part of the concept of opportunity, a shared story, a story which can only define, be told together. No individual confession in itself makes sense, but all in of criminal justice all, and all prompting all, they tell a story in define mercantilist which each understands his or her individual role” (125-26). 17 The quality that Granville-Barker and I find enchanting about the final scene, its need for pestal analysis active and still listening, is precisely what George Bernard Shaw loathed about define, it. Recalling Henry Irving’s production, Shaw observed that Irving, playing Iachimo, “stood dumb on component justice the stage for hours (as it seemed) whilst the define, others toiled through a series of denouements of crushing tedium, in which the characters lost all their vitality and individuality and imperative, had nothing to do but identify themselves by moles on their necks, or explain why they were not dead” (qtd. in Thompson 203). 18 According to the OED, it could mean “to announce in define a formal or official manner”; the precise medium is left open.

Adelman, Janet. Suffocating Mothers: Fantasies of imperative, Maternal Origin in Shakespeare’s Plays, Hamlet to define The Tempest. New York: Routledge, 1992. Print. Barish, Jonas. Poe The Three! The Antitheatrical Prejudice. Berkeley: University of California Press, 1981. Print. Browne, Thomas. Religio Medici and Urne-Buriall.

Ed. Stephen Greenblatt and Ramie Targoff. New York: New York Review of Books, 2012. Print. Butler, Judith. Gender Trouble. New York: Routledge, 1999. Print. catalogue, n. OED Online . Oxford University Press, June 2015.

Web. Define! 20 July 2015. Cavell, Stanley. Pursuits of Happiness: The Hollywood Comedy of Remarriage. Writing! Cambridge: Harvard University Press, 1981. Print. Danson, Lawrence. “‘The Catastrophe is a Nuptial’: The Space of Masculine Desire in Othello, Cymbeline , and The Winter’s Tale.” Shakespeare Survey 46.1 (1993): 69-79. Print.

Derrida, Jacques. Define Mercantilist! Of Grammatology. The Concept Of Opportunity Cost! Trans. Gayatri Chakravorty Spivak. Baltimore: The Johns Hopkins University Press, 1974. Print. Felski, Rita. “Suspicious Minds.” Poetics Today 32.2 (Summer 2011): 215-234.

Print. Foucault, Michel. Discipline and Punish. Trans Alan Sheridan. New York: Random House, 1977. Print. Freud, Sigmund.

The Schreber Case (Psychoanalytic Remarks on an Autobiographically Described Case of Paranoia) . Trans. Andrew Webber. Define! New York: Penguin, 2003. Categorical Imperative! Print. Granville-Barker, Harley. Prefaces to Shakespeare. Vol. 1. Princeton: Princeton University Press, 1946. Print. Heywood, Thomas. An Apologie for Actors.

London, 1612. Print. James I and Thomas Barlow. The Gunpowder-Treason. London, 1679. Print. Jordan, Constance. “Contract and Conscience in define ‘Cymbeline.’ Renaissance Drama 25 (1994): 33-58. King, Ros. Cymbeline: Constructions of Britain . A Profile! Burlington, VT: Ashgate, 2005. Print. Kuzner, James.

Open Subjects: English Renaissance Republicans, Modern Selfhoods, and define mercantilist, the Virtue of Vulnerability . Essay Communication! Edinburgh: Edinburgh UP, 2011. Print. Lake, Peter. “‘The Monarchical Republic of Elizabeth I’ Revisited (by its Victims) as a Conspiracy,” Conspiracies and Conspiracy Theory in Early Modern Europe: From the Waldensians to the French Revolution . Ed. Barry Coward and Julian Swann. Burlington, VT: Ashgate, 2004. Kirsch, Arthur. “ Cymbeline and Coterie Dramaturgy.” ELH 34.3 (Sept. 1967): 285-306. Print. Leavis, F.R. The Great Tradition .New York: New York University Press, 1964.

Print. McDonald, Russ. Define! Shakespeare’s Late Style. Cambridge: Cambridge UP, 2006. Print. Miller, D.A. The Novel and the Police . Component Of Criminal Justice System! Berkeley: University of California Press, 1988. Define! Print. Mitchell, W J. Essay Communication! T., ed.

Against Theory: Literary Studies and the New Pragmatism . Chicago: University of Chicago Press, 1985. Print. Peggy Phelan. Unmarked: The Politics of Performance . Mercantilist! New York: Routledge, 1993. Print.

publish, v. OED Online. Oxford University Press, June 2015. Web. 20 July 2015. Ricoeur, Paul. Freud and Philosophy: An Essay on Interpretation. Trans. Denis Savage. New Haven: Yale UP, 1970. Print.

Roach, Joseph. Cities of the Dead: Circum-Atlantic Performance . New York: Columbia UP, 1996. Print. Sedgwick, Eve Kosofsky. Touching Feeling. Durham: Duke UP, 2003. Print. Shakespeare, William. Cymbeline . Pestal Analysis! Arden edition, 2 nd series. Ed.

J.M. Nosworthy. Watson-on-Thames, UK: Arden, 1955. Print. Stubbes, Philip. An Anatomie of define, Abuses. London, 1595. Print. Taylor, Diana.

The Archive and the Repertoire: Performing Cultural Memory . Durham: Duke UP, 2003. Print. Thompson, Ann. “ Cymbeline ’s Other Endings.” The Appropriation of Shakespeare: Post-Renaissance Reconstructions of the Works and the Myth. Ed. Jean I. Marsden. Essay! New York: St. Define! Martin’s Press, 1991. 203-220. Print.

Vickers, Nancy. “Diana Described: Scattered Women and Scattered Rhyme,” Critical Inquiry 8.2 (Winter 1981): 265-79. Print. William Worthen. Drama: Between Poetry and Performance. New York: Wiley-Blackwell, 2010. Print. Zacharek, Stephanie. Of Criminal! “Cymbeline, 2015: Almereyda Produces a Wild Version of Shakespeare’s Work.” The Village Voice. Voice Media Group. Define! 12 March 2015.

Web. 20 July 2015. Donovan Sherman is an assistant professor of English at Seton Hall University. His research centers on poe the birth three Renaissance literature, Shakespeare, and dramatic literature, and define mercantilist, his work has been published in Shakespeare Quarterly, The Journal of Medieval and writing, Early Modern Studies, Literature /Film Quarterly, and Shakespeare Bulletin. His book Second Death: Theatricalities of the Soul in Shakespeare’s Drama , forthcoming in 2016 from Edinburgh University Press, examines the figure of the soul in the work of Shakespeare and his contemporaries.

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If you are a student or recent graduate with little or no job experience, then try our entry-level job examples: For students or recent graduates with some work experience, see more of mercantilist our entry-level resume samples: Use these industry-specific examples if you have three or more years of professional experience in categorical imperative, customer service or healthcare industries: If you live in define mercantilist, one of the South Asian countries (Pakistan, Sri Lanka, Bangladesh, India), then please see our country-specific examples: Good, bad or ugly? Should you use a resume template? Some recruiting professionals advise against component justice, using templates and resume builders. They believe using those tools makes your resume look generic and keeps you from standing out from other candidates. This concern is worth considering. Recruiters and hiring managers see hundreds of resumes every day. One that is poorly crafted in define mercantilist, either its formatting or its content will be quickly spotted and moved to the slush pile.

Templates fix the issue of poor formatting by doing it for you. With a template, you will not spend hours trying to adjust margins and on Narrative fonts. The content produced by resume templates and builders, however, is not meant to define be the final result. Every job seeker’s experience is unique, and a template needs to be customized to match and pestal analysis promote that singular experience. A chronological resume template should not be used by a job-hopper, and a skills-based resume is not the mercantilist, best choice for Essay, executives with an impressive vertical career progression. Templates are meant to be a place to start the difficult process of creating your resume.

They aren’t one-size-fits all, cookie-cutter solutions, and they shouldn’t be treated as ready-made resumes. When used for guidance and define inspiration when writing your own unique and writing a profile essay original resume, resume templates can be a powerful weapon in landing more interviews more quickly. What are they and do you need one? If resume formatting is not your thing, you can get help from an online resume builder. This resume-making tool handles both design and content, and can create excellent first drafts. The search for mercantilist, work is cost, a race, and resume builders are starting blocks. Define! They don’t get you to the finish line, but can give you a head start over your competition. Resume builders offer many features that simplify the job-hunting process.

Here are a few: Email and imperative online resume – You can email prospective employers or post your resume online in many formats. Writing Tips – Use tips and sample phrases to describe your work history and achievements. Cover letter templates and builders – Build a strong cover letter with templates and tips. Design – Built-in resume templates take care of define mercantilist formatting and component design. Resume samples – Compare your resume against define mercantilist, samples. Resume analytics – Find out if your resume is being viewed and downloaded. … but keep in mind. As powerful a tool as resume builders can be, they are still best treated as first drafts. The algorithms resume builders use are able to imperative incorporate basic syntax and industry jargon. They do not, however, always sound natural.

As Brenda Barron pointed out at business.tutsplus.com, “Using canned sentences can seem like keyword stuffing.” Resumes serve two functions. Their overt function is to list your skills, experience, and education. But their covert function is to show prospective employers how well you communicate, as well as your communication style. Because of this, you need to edit your resume so that it sounds close to your natural, professional speaking voice. If you feel a resume builder is the tool for mercantilist, you, see this page to find an categorical online resume builder. Starting off on the right foot. A resume cover letter needs to do more than introduce you and define mercantilist highlight some of of the three your skills.

It needs to define be engaging, well crafted, and well researched. It needs to writing a profile avoid sounding like a hard sell while still selling you to the company. If a resume is a list of your accomplishments, then its cover letter is where you get to tell the story of how you achieved those accomplishments. Use it to explain how your experiences will benefit the company. Tell the define mercantilist, potential employer why this job is essay, important to you.

To help you avoid some common pitfalls and maximize the define, potential of your application, experts agree that you should consider the following guidelines. Don’t skimp – While not all hiring managers read cover letters, they are not a waste of time. Just having one could increase your chances of getting a job interview—even if the employer doesn’t read it. And if the hiring committee has a tough choice between you and a few other applicants, then a cover letter can be what separates you from your competitors. Keep it brief – And the shorter the better. According to a resume survey of poe the birth of the three employers in Orange County, California, “Nearly 70% of employers want either a half page cover letter or ‘the shorter the mercantilist, better’ approach.” But there is poe the, some leeway here.

If the position or your experiences warrant it, then using more than half a page would be fine. Just make sure it’s well crafted. If possible, create a narrative – Especially when experience or the position warrants a longer cover letter—executive resumes, for example—make it tell a story. The narrative structure is a powerful device, and define mercantilist if you can use context, conflict, and resolution, then the reader won’t care that it is long. For a resume, a narrative’s context might be your work history.

The conflict may be experiences you’ve had in on Narrative, the past that left you wanting to do more than your previous position allowed. And the mercantilist, resolution could be getting this new job. Imperative! Do your research – Research each company you apply to, and craft a new cover letter for each of them. With social media, this is far easier than it used to define be. Follow accounts of the categorical imperative, company and its executives on Twitter, Facebook, and LinkedIn to study their content and the culture. Focus on details – Make sure that every word is essential. Use a spelling and grammar checker and writing apps. Ask someone else to read it and give you advice. Read from the end to the beginning and use other editing and proofreading tips. Learn how to format a resume by making the most of define mercantilist Microsoft Word’s features. Our short video tutorials will teach you some basic formatting tips and tricks.

How to use paragraph styles and themes How to change header, footer, margins, and page size How to birth of the three fit resume text on one page, and how to remove blank pages How to customize tabs, text boxes and tables How to add and remove sections. Please keep in mind that: All files are compatible with Microsoft Word, and mercantilist many of them will work in other applications such as Mac Pages, Google Docs and the concept of opportunity OpenOffice. We create our templates in define, Microsoft Office 2010 and we use Microsoft Word default fonts. If you do not have these fonts installed or use a different operating system, our templates might look different on your computer. We use text styles and built-in color schemes to Essay create our templates. Knowing how to use paragraph styles will ease the process of modifying a template. Define! While most resumes are US Letter size, some are A4. You can change the the concept, page size to make it compatible with the mercantilist, size used in writing a profile essay, your country. For creative designs with colored backgrounds, consider setting the page color to “none” and print on define mercantilist, a high-quality colored paper.

If the design requires borderless printing, a local print shop can help you if that feature is pestal analysis, unavailable on your home printer. 855.213.0348 | MON-FRI 8A-8P, SAT 8A-5P, SUN 10A-6P CST. 2017 Bold Limited. Define! All rights reserved. POWERED BY BOLD.